Journal
Collections
March 2026Origin, passage, becoming, and legacy, worked into modern tailoring.
The collection began with a question asked in a fitting room: where are you from, and what did you bring with you? Hidden maps, handwriting, archival frames, and symbolic hardware became the vocabulary. Each piece is numbered, and its provenance is recorded in the house archive.
Related · Fashion
Process
February 2026What sits against the body is where the story is kept.
A lining is the most private surface in a wardrobe. We use it for the things a client would not announce: a mother's handwriting, the coordinates of a street, a date, a promise. The exterior belongs to the room. The interior belongs to the wearer.
Related · Stories
Notes from the House
February 2026The four chapters the house uses to read a life.
Before a silhouette is drawn, we place the work inside one of four chapters. The chapter determines tone, material, and restraint. It is a way of designing with a person's timeline rather than a season's trend.
Related · The House
Moments
January 2026Wardrobe, invitation, atmosphere, and keepsake, written in one hand.
Most weddings are assembled from vendors. A wedding story system is composed instead: one narrative that governs the garments, the paper, the flowers, the guest journey, and the objects that remain when the room is empty.
Related · Moments
Places
January 2026Three places that set the tempo of the house.
Haiti gave the house its sense of color held in reserve. Brooklyn gave it edge and pace. Chicago gave it structure and room to build. Jeff Magloire works between all three, and the studio travels to where the work lives.
Related · The House
People
December 2025Memory attaches to detail, not to scale.
People rarely remember the size of a room. They remember a lining, a line spoken, a song chosen carefully, the weight of an object handed over. We design for those points of contact first, and let everything else support them.
Related · Moments